Organ, brass and percussion perform Holst’s The Planets

At the controls of the Grand Orgue Pierre-Béique, Jean-Willy Kunz takes you to the farthest reaches of the universe with Holst’s famous The Planets.

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At the controls of the Grand Orgue Pierre-Béique, Jean-Willy Kunz takes you to the farthest reaches of the universe with Holst’s famous The Planets, an inspiration for many film music composers. Join us on an exhilarating sonic journey and discover this work in a truly innovative version that also features brass and percussion instruments.

Artists

Concert without orchestra

Thomas Le Duc-Moreau, conductor 

Jean-Willy Kunz, OSM organist-in-residence 

Paul Merkelo, Stéphane Beaulac, Robert Weymouth, Sam Dusinberre and Thierry Champs, trumpets

James Box, Charles Benaroya and Pierre Beaudry, trombones

Austin Howle, tuba

Catherine Turner and Nadia Côté, horns

François St-Jean, timpani

Josh Wynnyk and Nicolas Lapointe, percussion

François Zeitouni, celesta

Works

HolstThe Planets for 14 brass and 3 percussion instruments (50 min.)

Without intermission

The Grand Orgue Pierre-Béique was generously offered to the OSM by Mrs. Jacqueline Desmarais.

Total duration 50 minutes
Thomas Le Duc-Moreau

Thomas Le Duc-Moreau

Conductor

Conductor Thomas Le Duc-Moreau’s inspiring enthusiasm and artistic sensitivity combine in an effective and humanistic symbiosis, highly appreciated by musicians and audiences alike. Upon graduating from his conservatory studies, Thomas was appointed Assistant Conductor of the Orchestre symphonique de Québec, and subsequently of the OSM. His opera credits include two premieres in 2022 and 2023: Christian Thomas’ Messe solennelle pour une pleine lune d’été, based on the play by Michel Tremblay, and Yourcenar Une île de passions by composer Éric Champagne at the Festival d’opéra de Québec. Since the beginning of his career, Thomas has conducted almost every symphony orchestra in Quebec, as well as the Prague National Theatre Orchestra of the Czech Republic. In 2022, he received the very first Prix Joseph-Rouleau awarded by the Fondation du Conservatoire de musique et d’art dramatique du Québec, in recognition and support of his promising early career. 

Jean-Willy Kunz

Jean-Willy Kunz

Organist-in-residence with the OSM

Jean-Willy Kunz was appointed in 2013 as the first organist in residence of the Orchestre symphonique de Montréal. In addition to playing both with the Orchestra and in recital, he sees to the development and showcasing of the Grand Orgue Pierre-Béique, Casavant Frères’ opus 3900 installed at the Maison symphonique in Montréal.

His performances with the Orchestre symphonique de Montréal include concerts conducted by Rafael Payare, Kent Nagano, Masaaki Suzuki, Leonardo García Alarcón, Gabriel Thibaudeau, François-Xavier Roth, Vasily Petrenko, Juraj Valčuha, Paul McCreesh, John Storgårds, Dalia Stasevska, Carlo Rizzi, and David Zinman. He has also performed as a soloist with the Quebec Symphony Orchestra, les Violons du Roy, the Trois-Rivières Symphony Orchestra, the Toronto Symphony Orchestra, the Edmonton Symphony Orchestra, the Calgary Philharmonic Orchestra, and the Regina Symphony Orchestra, under the direction of Fabien Gabel, Bernard Labadie, Michael Willens, Alain, Trudel, Stéphane Denève, Gemma New, Kerem Hasan, JoAnn Falletta, and Gordon Gerrard.

At the Maison symphonique, Kunz has premiered numerous pieces for organ and orchestra, and for solo organ, by Tod Machover, John Rea, Samy Moussa, Harry Stafylakis, Matthew Ricketts, Gabriel Thibaudeau, Régis Campo, and Maxime Goulet. A highlight among his many solo performances on the Grand Orgue Pierre-Béique was a recital presented in 2017 in collaboration with the NASA, the Canadian Space Agency, and the European Space Agency, during which a live audio-video duplex with an astronaut aboard the International Space Station allowed for the first ever Earth-Space organ duet.

Jean-Willy Kunz’ interest and versatility in different styles of music are reflected in the various projects he has been involved with for several years, and which shed new light on the pipe organ, including jazz music in duo with Branford Marsalis and with the Ensemble InSpirations, pop music with Rufus and Martha Wainwright, stage music with the Cirque du Soleil, contemporary music with the Quebec Contemporary Music Society and the Quatuor Bozzini, and baroque music with the Ensemble Caprice and Les Boréades.

His discography includes many recordings which reflect the broad range of his musical influences. His most recent CDs include a solo organ album Jean-Willy Kunz au Grand Orgue Pierre-Béique; Impressions with the Ensemble InSpirations (organ, clarinet, saxophone, trombone, double bass, and percussion); Symphonie et créations pour orgue et orchestre with the Orchestre symphonique de Montréal (which was awarded a Juno in 2016); and The Pipes are Calling for organ and trombone; Punkt with Pierre Lapointe; André Gagnon Baroque for harpsichord and symphony orchestra.

Jean-Willy Kunz studied with Louis Robilliard and with Mireille Lagacé, before completing a doctorate in organ performance at McGill University with John Grew. In 2018, he completed an MBA at HEC Montréal. He is organ professor at the Conservatory of Music in Montréal and artistic director of the Canadian International Organ Competition.