Concert without orchestra
At the controls of the Grand Orgue Pierre-Béique, Jean-Willy Kunz takes you to the farthest reaches of the universe with Holst’s famous The Planets, an inspiration for many film music composers. Join us on an exhilarating sonic journey and discover this work in a truly innovative version that also features brass and percussion instruments.
Artists
Thomas Le Duc-Moreau, conductor
Jean-Willy Kunz, OSM organist-in-residence
Paul Merkelo, Stéphane Beaulac, Robert Weymouth, Sam Dusinberre and Thierry Champs, trumpets
James Box, Charles Benaroya and Pierre Beaudry, trombones
Austin Howle, tuba
Catherine Turner and Nadia Côté, horns
François St-Jean, timpani
Josh Wynnyk and Nicolas Lapointe, percussion
François Zeitouni, celesta
Programme
Holst, The Planets for 14 brass and 3 percussion instruments (50 min.)
Without intermission
The Grand Orgue Pierre-Béique was generously offered to the OSM by Mrs. Jacqueline Desmarais.
Thomas Le Duc-Moreau
ConductorConductor Thomas Le Duc-Moreau’s inspiring enthusiasm and artistic sensitivity combine in an effective and humanistic symbiosis, highly appreciated by musicians and audiences alike. Upon graduating from his conservatory studies, Thomas was appointed Assistant Conductor of the Orchestre symphonique de Québec, and subsequently of the OSM. His opera credits include two premieres in 2022 and 2023: Christian Thomas’ Messe solennelle pour une pleine lune d’été, based on the play by Michel Tremblay, and Yourcenar – Une île de passions by composer Éric Champagne at the Festival d’opéra de Québec. Since the beginning of his career, Thomas has conducted almost every symphony orchestra in Quebec, as well as the Prague National Theatre Orchestra of the Czech Republic. In 2022, he received the very first Prix Joseph-Rouleau awarded by the Fondation du Conservatoire de musique et d’art dramatique du Québec, in recognition and support of his promising early career.
Jean-Willy Kunz
Organist-in-residence with the OSMJean-Willy Kunz, Organist-in-Residence with the Orchestre symphonique de Montréal, is responsible for the development and enhancement of the Grand Orgue Pierre-Béique. He has performed as a soloist with the Orchestre symphonique de Québec, Les Violons du Roy and the Toronto Symphony Orchestra, and has premiered works by significant composers. Owing to his various interests, Jean-Willy Kunz is involved in numerous projects that bring a fresh perspective to the organ: jazz with saxophonist Branford Marsalis; pop with Pierre Lapointe; stage music with Cirque du Soleil; contemporary music with Quatuor Bozzini; or Baroque music with Ensemble Caprice. His discography includes several recordings that demonstrate the versatility of his musical influences, notably Symphonie et créations for organ and orchestra with the OSM (Juno award, 2016). Jean-Willy Kunz is Professor of Organ at the Conservatoire de musique de Montréal and Artistic Director of the Canadian International Organ Competition.