Rafael Payare and Shostakovich’s Awe-Inspiring Symphony No. 8
While the influence of Viennese Classicism is certainly palpable in Beethoven’s First Symphony, its fiery score teems with ground-breaking ideas like the seeds of a style that would assert itself ever more vigorously over the years. The driving force of Shostakovich’s Eighth Symphony is something else entirely: brutal, dreadful, ruthless, a striking work summoning the devastating drama of wartime, with irony emerging as a response to suffering.
While the influence of Viennese Classicism is certainly palpable in Beethoven’s First Symphony, its fiery score teems with ground-breaking ideas like the seeds of a style that would assert itself ever more vigorously over the years. The driving force of Shostakovich’s Eighth Symphony is something else entirely: brutal, dreadful, ruthless, a striking work summoning the devastating drama of wartime, with irony emerging as a response to suffering.
Artists
Orchestre symphonique de Montréal
Rafael Payare, conductor
Programme
Beethoven, Symphony no. 1 in C major, op. 21 (26 min.)
Intermission (20 min.)
Chostakovitch, Symphony no. 8 in C minor, op. 65 (61 min.)
Rafael Payare
Music DirectorRafael Payare’s prodigious musicianship, technical brilliance and charismatic presence on the podium have made him one of the world’s most sought-after conductors. A graduate of the celebrated El Sistema music education program in Venezuela, Mr. Payare began his formal conducting studies in 2004 with José Antonio Abreu. Since winning the prestigious Malko International Competition for Young Conductors in Denmark in 2012, Maestro Payare’s career has advanced rapidly. Since 2015, he has served as Principal Conductor of the Castleton Festival, founded by his mentor the late Lorin Maazel. He was Chief Conductor and Music Director of the Ulster Orchestra from 2014 to 2019 and in 2019, took up the position of Music Director of the San Diego Symphony. In recent years, Rafael Payare has conducted many of the world’s most prestigious orchestras, including those of New York, Los Angeles, San Francisco, Philadelphia, Zurich, Berlin, Vienna, London, Munich, Chicago and Paris. He has also made important opera debuts at the Glyndebourne Festival, Stockholm’s Royal Swedish Opera, the Royal Danish Opera, and most recently at London’s Royal Opera House, Covent Garden. In the 2022-2023 season, Payare became the ninth Music Director in the history of the OSM.
To consult:
rafaelpayare.com
Long biography