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Holiday 2024
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Four Cellos 2024-2025

Dive into a treasure trove of rarely heard cello masterpieces, from Franchomme’s revealing Chopin transcriptions to Offenbach’s sumptuous compositions, offering a journey of velvet tones and expressive intensity.

Season Presenting Partner

In this enticing program of rarely heard works, experience the velvet tones and expressive intensity of the cello in a treasure trove of pieces for 2, 3, or 4 instruments. Franchomme’s transcriptions highlight the momentous depth of Chopin, while lesser known but sumptuous works by Offenbach, himself an accomplished cellist, deserve a much wider public recognition.

Artists

Anna Burden, cello

Tavi Ungerleider, cello

Geneviève Guimond, cello

Sylvain Murray, cello

Programme

Anton Reicha, Trio for Three Cellos, excerpts (10 min)

Max d’Ollone, Andante and Scherzo (10 min)

Frédéric Chopin and Auguste-Joseph Franchomme, Préludes, op. 28, excerpts (11 min)

Franchomme, Three Nocturnes, op. 15 (15 min)

Frédéric Chopin, Piano Sonata no. 2 in B-flat minor, op. 35: III. Marche funèbre (arr. A. Franchomme, 8 min)

Jacques Offenbach, Adagio and Scherzo (14 min)

Total duration70minutes

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Anna Burden

OSM Associate principal Cellist

Associate principal cellist of the Orchestre symphonique de Montréal since 2011, Anna Burden has performed throughout the United States, Canada, and abroad as a soloist, chamber player, and orchestral musician. Solo appearances include performances with the Peninsula Music Festival Orchestra, the Washington Chamber Symphony, the Juilliard Orchestra, the Northwestern University Symphony Orchestra, the Oak Park Symphony Orchestra, and with musicians of the Orchestre symphonique de Montréal. A native of Chicago, Anna Burden studied with Hans Jensen, Joel Krosnick, Alan Stepansky, Richard Aaron, Darrett Adkins, and Nell Novak. She holds a Bachelors degree from Northwestern University, a Masters degree from The Juilliard School, and a Professional Studies diploma from the Manhattan School of Music. She plays a cello made in 1929 by Carl Becker of Chicago.